He has continued to work as a collaborator on projects including The Greatest Showman (song producer and score co-composer), as well as album projects and live events with Aloe Blacc, Amon Tobin, Dierks Bentley, Dr.
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In addition, he has leant his innovative sound to Netflix’s The Witcher (for which he also writes original songs, including the viral hit “Burn, Butcher, Burn”), the critically acclaimed original series Shadow and Bone, and interactive projects for Disney Interactive, EA, Lucasfilm, and Ubisoft. Known for integrating his extensive classical training with his skill producing electronic music, he has crafted uniquely hybrid and inventive scores for a number of films including director Joseph Kosinski’s 2022 sci-fi thriller Spiderhead, Nicolas Cage’s genre-bending 2021 Sundance selection Prisoners of the Ghostland, Disney’s 2019 live-action remake Lady and the Tramp, Kumail Nanjiani and Dave Bautista’s buddy cop action-comedy Stuber, Mads Mikkelson’s 2018 Cannes selection Arctic, Universal’s landmark rap biopic Straight Outta Compton, and the second and third installments of the Divergent series, Insurgent and Allegiant.
Joseph Trapanese began his film scoring career as the key collaborator on some of the most memorable scores of recent cinema history – as arranger and orchestrator for Daft Punk’s Tron: Legacy, co-composer, arranger, orchestrator, and conductor for M83’s Oblivion, and co-composer and co-producer with Mike Shinoda for The Raid series. Spiderhead is a 2022 American science fiction thriller film directed by Joseph Kosinski, with a screenplay by Rhett Reese and Paul Wernick, based on the dystopian short story "Escape from Spiderhead" by George Saunders. However, as of January 2019, neither the score or the promotional material has yet to appear on the official GOG.com page for the game.Artist: Joseph Trapanese, London Contemporary Orchestra Title: Spiderhead (Soundtrack From The Netflix Film) Year Of Release: 2022 Label: Maisie Music Publishing, LLC Genre: Soundtracks Quality: 16-bit/44.1kHz FLAC 24-bit/48kHz FLAC Total Time: 01:04:13 Total Size: 277 645 MB WebSite: Album Preview Īdditionally, they created a collectible file for official concept art, promotional renders and official interviews of the game for GOG.com as potential downloadable content. In 2016, Living Dead System Operators, a fansite dedicated to the surviving Tron 2.0 fanbase, prepared an unofficial compilation of the Nathan Brigg score in the hopes of seeing it included in the GOG.com release of game for the fifteenth anniversary of the game. The unofficial album was released Decemamid the promotion of the reboot film Tron: Legacy, but has since become unavailable. Unofficial or Rejected Releases Epcot LegacyĪccording to Joshua Harris' Flickr account, he attempted to emulate an official release for the Tron 2.0 by editing the game's files together and created album art that would reflect a would-be official release. Grigg used and reinterpreted Carlos' melodies throughout the arrangement and engineering process of the score for the game.
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Monolith Productions was able to license the original score by Wendy Carlos.
The editing method used for the score in Tron 2.0 is one example of horizontal re-sequencing in video games. Īs a result the music plays in the game seamlessly in real-time, and allows for the music to adapt to the state of gameplay (idle, combat, exploration). The score was rendered for the game using WAV audio format and broken down into a collection of audio segments that function as brief closing cues that were designed to meld with the chosen segments of the game. The score for Tron 2.0 is comprised primarily of short sound bites and clips, "mixing electronic and orchestral sounds" meant to reflect the "high tech, epic environment" of the digital world.
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